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🎵Lady Ponce
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Auteur : DJ Supreme.1er
Compositeur : DJ Supreme.1er
Editeurs : Supreme Publishing
Distributeur : Supreme Distribution
Label : Supreme .Records
Music Remix Night Club by DJ Supreme1er performing Mixtape. © 2021 Supreme .Records, a Division of UMG Recordings, Inc. Republic Records, Universal Music
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****************(🔊TRACK LIST)*****************
01. Lady Ponce - Intro Témoignage
02. Lady Ponce - Loyauté
03. Lady Ponce - mon medecin
04. Lady Ponce - Maladie D'amour
05. Lady Ponce - Témoignage
06. Lady Ponce - Donné Donné
07. Lady Ponce - Le Bas Ventre
08. Lady Ponce - #Hommage
09. Lady Ponce - #Trahison
10. Lady Ponce - ca la
11. Lady Ponce - #Moan Yésus
12. Lady Ponce - #Poncer
13. Lady Ponce - #carosserie
14. Lady Ponce - #secouer
15. Lady Ponce - #Espoir
16. Lady Ponce - #ella
17. Lady Ponce - #Obele
18. Lady Ponce - #Eternité
19. Lady Ponce - #Masingui
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BIKUTSI ATTITUDE est la plate forme de promotion exclusive du Bikutsi au Cameroun et dans le monde.
Nous sommes à l’ère où la technologie influe dans tous les domaines de la société. Pour s’inscrire au rendez-vous de de la Communication Digitales, ce concept est mis sur pied pour se positionner comme un catalyseur de la promotion du Bikutsi et de la culture Fang Beti.
MANAGE MENT : Nous fédérons nos compétences pour vous écouter et donner une meilleure orientation à vos projets
COMMUNICATION : Nous analysons le marché et proposons des solutions de communication innovantes pour favoriser un large échos de votre musique.
BOOKING : Gâce à notre large réseau, nous vous positionnons sur un marché de spectacles variés qui adopte les projets de qualité ayant connu un bon suivi media en amont.
#BIKUTSIATTITUDE #Bikutsi #Cameroun #FangBeti #CameroonMusic #ManiBella #LadyPonce #BertrandCloud
Bikutsi is a musical genre from Cameroon. It developed from the traditional styles of the Beti, or Ewondo, people, who live around the city of Yaounde. It was popular in the middle of the 20th century in West Africa. It is primarily dance music.
The word 'bikutsi' literally means 'beat the earth' or 'let's beat the earth' (bi- indicates a plural, -kut- means 'to beat' and -si means 'earth'.) The name indicates a dance that is accompanied by stomping the feet on the ground.
Bikutsi is characterized by an intense 6/8 rhythm, though it is occasionally 9/8 and its tempo is usually quarternote. It is played at all sorts of Beti gatherings, including parties, funerals and weddings.
Beti gatherings fall into two major categories:
* Ekang phase: the time when imaginary, mythological and spiritual issues are discussed
* Bikutsi phase: when real-life issues are discussed
A double sided harp with calabash amplification called the mvet is used during these ceremonies, by Beti storytellers, who are viewed as using the mvet as an instrument of God to educate the people. The Ekang phase is intensely musical, and usually lasts all night. There are poetic recitations accompanied by clapping and dancing, with interludes for improvised and sometimes obscene performances on the balafon (a type of xylophone). These interludes signal the shift to the bikutsi phase, which is much less strictly structured than Ekang. During bikutsi, women dance and sing along with the balafon, and lyrics focus on relationships, sexuality and the lives of famous people. These female choruses are an integral part of bikutsi, and their intense dancing and screams are characteristic of the genre. Traditional bikutsi was often ironic in its content, as many modern bikutsi songs still are.
In its modern form, bikutsi is very popular, and rivals makossa as the country's most renowned style.
Popular bikutsi first appeared in the 1940s with the recording of Anne-Marie Nzie. Some twenty years later, the style was electrified with the addition of keyboards and guitars. The most popular performer of this period was Messi Me Nkonda Martin, frontman for Los Camaroes and known as "the father of modern bikutsi music". In an effort to translate the sound and spirit of traditional bikutsi music to more modern terms, Messi incorporated the sound of a balafon into the electric guitar by linking together the guitar strings with lengths of cotton cord. Played in this way, the electric guitar sounded similar to the balafon. The music itself, then, was only slightly altered, while the image and outside perception of bikutsi music was changed enormously. Other bands during this time, such as Les Vétérans, were also popular.
International acclaim began in 1987 with the formation of Les Têtes Brûlées by Jean Marie Ahanda. The late guitarist of Les Têtes Brulées, Zanzibar, invented the trick of damping the strings of his guitar with a strip of foam rubber to produce the music's characteristic balafon-like thunk. (The balafon is a marimba-like instrument that is widely used in African folk music.) More modern performers include Jimmy Mvondo Mvelé and Mbarga Soukous.
Present-day bikutsi as performed by artists like Lady Ponce, K-Tino, Racine Sagath and Natascha Bizo is sometimes regarded as controversial. It has been criticized for the perceived sexual content of its lyrics and dancing style. In this respect bikutsi resembles mapouka from Côte d'Ivoire, which is also considered indecent by many Africans. The main difference is that present day bikutsi is still often performed by female artists who use it as a means of self-expression in a traditionally male-dominated society.
Thus a singer like K-Tino, self-styled femme du peuple (woman of the people) sees herself as having an important part to play in the emancipation and liberation of the women of Cameroon.
Among the current crop of artists are Patou Bass and Ovasho Bens, the promoter of a dance and philosophy called "zig zag". His first album is composed not only of Cameroonian traditional rhythms but also West Indian zouk and Jamaïcan-style reggae.
Bikutsi has influenced Western musicians such as Paul Simon on his album Rhythm of the Saints.
(from Wikipedia)
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Bisou bass joue de bikutsi. Interviewé par Charles Manga Adalbert Ebongue <br />Bisou Bass, "le bassiste de la terre" est né le 22 Octobre 1979 à douala au Cameroun. Très jeune, il s'intéresse à la guitare grâce à son frère ainé musicien. Bisou Bass commence alors par apprendre à jouer de la guitare rythmique et solo. Mais, plutard, il est séduit par la guitare basse qui fait les beaux jours de plusieurs Camerounais en Europe. Il est tellement doué que en moins d'un an, il sillonne le pays avec les artistes majeurs du Cameroun. Très vite, il commence à se sentir à l'étroit et aménage chez son fameux frère musicien à Nice où il passe une saison et monte à la conquête de la capitale française. A Paris, il rencontre tous ses mentors et particulièrement Etienne Mbappè qui le conseille. Il devient alors l'un des bassistes de studio les plus demandés et forme la nouvelle équipe nationale du Makossa. Il se consacre aujourd'hui à réaliser les albums de ses compatriotes et son propre premier album solo. <br />Bon Vent Bisou Bass !!! <br />Par Charles Manga Ebongue Adalbert.
Nouvel opus et vidéo clip de la nouvelle perle du Bikutsi; après "Ye ma wu mvam", "Etam" etc.... FLA-M, ou La douce FLAM récidive avec "No comment" ou "Zigili mongo"; Trève de commentaires, appréciez et surtout.......dansez